28 Days Later (2002)

Although suffering from a weak second-half, the fit section of Danny Boyle’s apocalyptical Brit-zombie DV film is superbly edgy and brutal, most notably the early morning shots of a deserted London, and the quick and deadly ‘contaminated’. The film plays on our fea of isolation, viruses (infected by Rage) and social paranoia, with heavy debt to Romero.

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